Larry David Norman was born on April 8, 1947 and died on
February 24, 2008. In 2001 he was
inducted into the Gospel Music Hall of Fame.
He released his solo debut, UPON THIS ROCK, which many consider to be
the first Christian rock album, in 1969.
In 1971 he followed this with STREET LEVEL. Norman’s website says: “In early 1972 One Way
Records released BOOTLEG, a double album retrospective covering the previous
four years of Norman’s career compiled from the demonstration recordings made
while at Capitol Records, private recordings from his friends, and various
interviews and live performances. It was
deliberately recorded to sound like an unauthorized bootleg recording to ensure
reception by street people who were wary of slick major label products”. Here, I am reviewing a recent 2 CD re-issue
of BOOTLEG which has been remastered.
Starting things off is ‘I Think I Love You’, a piano-based
rock and roll song about conversion: “I used to wonder where You could be/I
used to seek after truth and follow where it led/So many facts and philosophies
inside my head/I heard so many people telling me You was dead/I bet they all
own a Bible that’s never been read/Mmm.../All my life I’ve been wondering what
I should do/Suddenly I stopped wondering/Cause I really found the answer when I
fell in love with You”. ‘Walking
Backwards’ is lullaby-like musically.
It’s the song of one lacking direction: “People stop to watch me/They’re
wondering what I’m doing/What direction I’m pursuing/I pretend I’m free but
actually/I’m walking backwards down the stairs/Trying to get higher/How can I
get anywhere’s/Walking backwards down the stairs”.
‘Ha Ha World’ includes these very Normanesque lyrics: “The
call is for me/And I answered the phone in the kitchen/The room was too hot/I
forgot I was cookin’ a chicken/It was burning like hell/But the stove wasn’t
on/And the voice on the line says the chicken is gone/The receiver goes dead
and it/Hums while the plot starts to thicken”.
‘Classical Mandolin’ is a very short instrumental.
‘I Don’t Believe in Miracles’ is a ballad about letting down
one’s guard: “I don’t believe in miracles/I’ve been around, I’ve seen
enough/Oh, no/The only way to get along, you must be strong/You must be tough,
life is one big bluff/But then you opened up the door/I walked right in and all
my fears fell on the floor/Do you suppose a miracle is happening to me?” ‘The Day That a Child Appeared’ reflects on
the nativity: “Just a baby in a manger/But the room was filled with
strangers/And the star hung in the sky/Oh, like an angel on the day that a
child appeared/Little children please remember why we celebrate December/It’s
much more than Santa Claus/But you’re right about the gift and tree/A gift of
life at Calvary”.
‘What Goes Through Your Mind’ is a frank rock and roll song
addressed to a gal: “What goes through your mind? (2X)/The things you think you
want/They only screw you up/You can be good or bad, do what you want to do/And
it’s up to you to decide/Just what goes through your mind, girl?/I think you
like being blind, girl/Look for the truth and you’ll find it, girl/The truth’s
ahead, you’re behind it, girl/Just what goes through your mind, girl?” ‘No Change Can Attend’ is a short track that
includes these words of declaration: “Every human tie may perish/Friend to
friend unfaithful prove.../No change can attend Jehovah’s love/You know He
loves me/He loves me/He loves me”.
‘One Way’ is a gentle anthem of faith: “One way, one way to
Heaven/Hold up high your hand/Follow/Free and forgiven/Children of the Lamb/In
my youth, I knew the truth/But I spent many years just sitting on the wrong
track/Now that I’m older, I’m bolder/And it’s high time I should be getting
back/And that’s a fact”. ‘A Song Won’t Stop
the World’ has an old country feel to it and reflects on the power of music:
“This world’s in trouble/You know it’s true/But who has the answers/To help us
get through?/We look to our leaders/They politely yawn/The press gives
coverage/And the world goes on/This song won’t stop the world from goin’
round/’Cause a song can’t stop the world from being unsound/But it might change
a heart/Change a heart or two/No, it can’t stop the world/But it might stop
you”.
‘Blue Shoe’s White’ is a lively, upbeat rock and roll song
of testimony: “He reached right out and touched my toes/Everybody knows how the
rest of the story goes/If you’re steppin’ through life, then my appeal/Is to
follow in His footsteps and get your soles re-heeled/And if ya wanna give your
feet a treat/Then get ready to walk down that golden street/But be careful how
you use your shoes/And don’t waste your time on the rhythm and blues/He turns
blue shoes white”. ‘666 (The
Anti-Christ)’ is a folk song about the End Times: “In the midst of the war he
offered us peace/He came like a lover from out of the east/With the face of an
angel and the heart of a beast/His intentions were six sixty six/He walked up
to the temple with gold in his hand/And he bought off the priests and
propositioned the land/And the world was his harlot and laid in the sand/While
the band played six sixty six”.
‘Taking my Time’ is really just a short ditty. It includes these words: “Love is divine/And
reading the scrolls/Is making me whole”.
‘I’ve Searched All Around’ is a swell pop tune on which Larry testifies:
“Yes, I’ve searched all around the world to find a place of peace/I’ve sat in
the shade of God and watched the joy increase”.
Disc Two begins with a television interview from 1971 in
which Larry shares: “I found Jesus with the baptism of the Holy Spirit. That’s what changed me concretely...I don’t
have to go to a church every day. I go
to church in my heart. I don’t have to
kneel or bow. My spirit has been humbled
and bowed. Ah, I’m not afraid of
approval from the preachers or the members of the church. I just, I have to be right before God. I have to read my Bible and a, to stay
informed on whom man is and who God is”.
The next track is ‘Let the Lions Come (Speech to Russia for Christ)’. It reflects on Watchman Nee and tackles the
topic of persecution head on: “I’m not afraid of the Russians coming or the
Chinese or the World Council of Churches if that’s gonna be our enemies
too. Let them come. I’m not afraid of the lions. Let them eat me. They can’t swallow my soul. They can’t touch us. They can’t get us. We’ve been bought with the price and nobody’s
got enough money or enough force to buy us back. They can’t touch you. And when they come you just pray for them and
when they lead you away you just sing ‘Glory to God’. And when they shoot you, just smile”.
‘Jesus and the Movies’ is a humorous reflection by Larry
beginning with these words: “It bothers me that in the movies they never show
Jesus really, you know, the right way.
Every movie I’ve seen He walks around like, you know, He’s just had His
nails done or something”. ‘Addressing
the National Youth Worker’s Convention’ is a very lengthy performance of his
cheerful song ‘Sweet Sweet Song of Salvation’.
It includes these words: “When you know a wonderful secret/You tell it
to your friends/Tell them that a lifetime filled with Jesus/Is like a street
that never ends, alright!/Sing that sweet, sweet song of salvation/And let your
laughter fill the air/Sing that sweet, sweet song of salvation/And tell the
people everywhere”. Larry uses his humor
to engage the audience fully in the song: “Those of you who are uptight about
clapping for a religious, you know, song or experience, ah, you can think of it
as praying rapidly”.
‘When I First Met You’ is a short adult contemporary song
that shares these sentiments many will be able to relate to: “When I first saw
you I was all alone/Wishing for a love I could call my own.../I’m hoping that
maybe we/I’m praying that maybe you and I/Can spend our life together/La, la,
la, la...” ‘Without Love You are
Nothing’ is a great rock song that doesn’t mince words: “You can be a woman
feeler or a baby stealer/You can drink your life away/You can be a Holy
Prophet/Get a blessing off it/You can fast for 50 days/You can shake hands with
the devil/Or give your life to God on the level/But without love you are
nothing, without love”.
‘A Love Like Yours’ finds Larry conversing with God: “With a
love like Yours/A man could live in beauty and grace/If I were a king I’d give
everything/Just to see Your face/With a love like Yours/A man could be completely
satisfied.../You have saved me, You have saved me/You have saved me from
myself”. ‘You Can Save Me’ finds Larry
playfully strumming on his acoustic guitar.
It again finds Larry conversing with God: “I can’t see You but I know
You’re there/And I can’t touch You/But I know You care/God, I love You/And I
just bought Your book/I took it home and had a real long look/And this may not
sound nice/But my favorite part is where You died for me”.
‘Even if you don’t Believe’ is a pretty, piano-based ballad about
the End Times: “Even if you don’t believe, it’s gonna come true/Even if you
don’t believe, it’s gonna happen to you/He’s gonna come down/Take a last look
around/And with both feet off the ground/You’ll be homeward bound”. ‘U.F.O.’ is a gentle folk tune that reminds
us of our blessed hope: “He will come back like He promised/With the price
already paid/He will call out for His followers/And take them all away.../He’s
an unidentified flying object/Coming back to take you home/He’s an unidentified
flying object/He will roll away your stone”.
‘Why Don’t You Look into Jesus’ is a rock song that offers a
spiritual invitation: “If you’re unhappy and you don’t know how/Why don’t you
look into Jesus?/He got the answers”.
‘Song for a Small Circle of Friends’ is a tender folk song that shares
the Good News: “And Jesus died for all you friends/But even better yet, He
lives again/And if words do not appeal to you/I hope the Spirit slips on
through/He loves you”.
There are eight bonus tracks included on Disc 2. The first finds Larry performing ‘Sweet Sweet
Song of Salvation’ at Jesus Sound Explo ’72.
Then there are alternate takes of four previous songs. Next up are two takes of the American
spiritual ‘He’s Got the Whole World in His Hands’. Larry includes these additional lyrics: “He’s
got The Beatles and The Stones in His hands/Unless they bring it on home, in
His hands/They’ll spend eternity alone”.
Last up, is ‘He’s the One’. This
fun rock and roll ditty includes this lyric: “He’s the One, He stole my heart
away”.
BOOTLEG is a great companion piece to 1971’s STREET
LEVEL. Several of the songs are
different versions of songs that had already appeared on 1969’s UPON THIS ROCK
or would go on to appear on the legendary studio albums ONLY VISITING THIS
PLANET (1972) and IN ANOTHER LAND (1976).
There are also many songs not on any of those records. This is truly a must have two disc collection
for collectors. These are songs that
convey a Christian message with a sense of both innocence and urgency. Fans of early Jesus rock and folk music
should pick this one up. It includes
some great shots of a young Larry Norman at work, on the street, and with a
white cat. I’m rating BOOTLEG 90%. For more info visit: www.larrynorman.com.