In 1987 Steve Taylor released a new project on a new record
label. It was I PREDICT 1990 on Myrrh
Records. The cover was designed and
painted by Steve’s wife Debbie. It was
meant to resemble early 20th century French poster art. What controversy ensued! Some Christian folks said it looked like a
tarot card. A televangelist said Steve
was saluting Satan. Steve was also
charged with incorporating secret and new age messages in his new songs. The project was produced by The Beautiful
Twins (Taylor and Dave Perkins).
Instrumentalists include: Dave Thrush (saxophones), Jeff Stone, Gym
Nicholson and Dave Perkins (guitars), Glen Holmen (bass), and Greg Husted
(accordion).
The song ‘I Blew Up the Clinic Real Good’, along with the
aforementioned controversies, caused this album to be pulled from some
Christian stores. Why? They thought that in this song Steve was
advocating violence and suggesting that Christians should murder abortion
doctors. These critics forgot somehow,
that all throughout his career Steve had used tongue-in-cheek sarcasm to make
his points. With this song, Steve was
trying to show how absurd it was to murder people you accuse of murdering babies. This fun sounding rock song includes these
lyrics: “The other day when the clinic had its local debut/Some chicks were
trying to picket/The doctor threatened to sue/I don’t care if it’s a baby or a
tissue blob/But if we run out of youngsters/I’ll be out of a job/And so I did
my duty/Cleaning up the neighborhood/I blew up the clinic real good/Try and
catch me coppers/Your stinkin’ badges better think again/Before you mess this
boy around. Annie McCaig sings backing
vocals on ‘What is the Measure of Your Success.’ The song speaks about people with big egos:
“In this city I confess/I am driven to possess/Answer no one, let them
guess/Are you someone I impress/I am a big boss with a short fuse/I have a
nylon carpet and rubber shoes/And when I shake hands, you’ll get a big
shock/You’ll be begging for mercy when the champ is through/You better believe
I’ll put the clamps on you.”
Papa John Creach of Jefferson Airplane plays fiddle on the
playful, jumpy pop song ‘Since I Gave Up Hope I Feel a Lot Better’. It pokes fun at pessimists: “While the world
winds down to a final prayer/Nothing soothes quicker than complete despair/I
predict by dinner/I won’t even care/Since I gave up hope I feel a lot
better.” ‘Babylon’ is a ballad that
sounds darkly mysterious and includes Ashley Cleveland’s vocal stylings which are great. The song is a cry to Father God for spiritual
liberation: “Babylon/Born in your walls/Bred in your will/Captive and still/I
hear the heavens cry/Aftershocks/And the sorrow grows/Some make their slow
descent/Some repent/Rescue me/These idols lie/I cannot bear the shame/Make this
desert rain.”
Jim Morrison was frontman for the Doors. He died at the age of 27 and had been
involved with intoxicating substances.
‘Jim Morrison’s Grave’ is an energetic rocker that finds Steve lamenting
the mortality of Jim and all of us: “It’s getting cold here and there ain’t a
lizard in sight/Did the end begin when you shed your skin in the home of the
brave?/Somebody shake him from the land of larger than life/Where the remnants
warn of a legend born in a dead man’s cave/Jim Morrison’s grave.” According to merriam-webster.com a ‘svengali´
is “a person who manipulates or exerts excessive control over another.” Svengali was also “a villainous hypnotist in
the novel TRILBY (1894) by George du Maurier. “ Here are some of the lyrics to
Taylor’s next song, ‘Svengali’: “Blue shadows/A Venetian parade/Eyes on a
starlet who was yet to be made/He had the thin blue lips/And a fingerless
glove/He was a hunter for a prey/To put his prints on/Oh, Svengali (2X)/Wide eyes
mesmerize/Ain’t he clever/Oh, Svengali.”
Carl Jung (1875-1961) was a Swiss psychiatrist and
psychotherapist. In ‘Jung and the
Restless’ by Taylor, we see a female patient who has given up too much control
and power to her therapist: “Patient-I was in a mental ward/For a little shock
treatment/When a sudden power surge zapped me with 2000 volts/Then I floated down a tunnel to a shining man in
white/And when I could finally make it out, his face was...It was you doctor!’/Doctor-‘So
what’s the problem?’” ‘Innocence Lost’
finds a lady, maybe a nun, visiting a death row inmate and trying to give him
hope: “Innocence, innocence, innocence lost/All souls want it back/Some uncover
the cost/Innocence, innocence lost/She said ‘Look at me. Don’t you, don’t you
lose your innocence. Don’t you lose your
innocence’/He said ‘God’s own angels couldn’t give me hope/When you leave me
hanging, just leave me enough rope’/But in her eyes he glimpsed of an innocent
way.”
‘A Principled Man’ points to Christ as the one to model
ourselves after: “Bleeding and hushed/Hung between thieves/There the foundation
began/Are you the one/Taking your cross?/Are you a principled man?” Mary Bates performs operatic vocals on
‘Harder to Believe than Not To’ which was orchestrated by Del Newman. The song reminds us not to throw away our
entire faith when we have doubts.
To support I PREDICT 1990 Steve Taylor went on
his most extensive tour yet. It included
stops in Australia, Canada, Hong Kong, and the Philippines. Those who want their Christian music to only
say ‘Jesus’ and ‘Praise Jesus’ probably won’t care for this album. These lyrics require some thought and
deciphering. This album is artistic,
innovative, and relevant today for the most part. I'm rating it 95%.